Influenced by artists such as Keith Haring, Robert Mapplethorpe, and Bob Flanagan—alongside the graphic immediacy of linocut and the unflinching presence of performance art—my practice explores artistic objectification as a commission-based service. These works emerge either in dialogue with my professional Dominant practice or as standalone artistic investigations, drawing imagery from collaborative in-scene documentation, private archives, and intimate play references.

Within this space, my role as artist is fluid—shifting between witness, interpreter, and provocateur.

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My visual focus gravitates toward surface and texture: leather and latex, flesh marked by impressions and encounters, and bodies suspended in states of tension and release. Bound forms, dramatic lighting, traces of saliva, blood, or urine, and the charged interplay between vulnerability and unapologetic eroticism are recurring motifs. It is in these raw, unguarded states that the body of my work takes form.

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For those drawn to this intersection of exhibitionism, degradation, and intentional portraiture, I offer bespoke commissions that honor the aesthetics of kink through line, form, and flesh. Each work is adapted to the client’s vision, with the option for full anonymity or complete exposure. Consent and privacy agreements are provided to safeguard both image and boundaries, ensuring an ethical foundation for collaboration.