Drawing inspiration from artists like Keith Haring, Robert Mapplethorpe, and Bob Flanagan—alongside the lined style of inky linocuts and the candid lens of provocative performance art—my practice offers artistic objectification as a commissioned service. These works are either developed in tandem with my pro dom work or as solely just an artist, drawing on imagery sourced either through in-scene collaboration using documentation elements that lend to an overall scene or from your private archives and play session references. 

In this space, my role as an artist is fluid—shifting between witness, interpreter, and provocateur.

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A few of my favourite things to draw include rich textures—leather, latex, and flesh marked by bruising, bites, scratches, cuts & finger prints; expressive bodies caught in states of tension and release. I’m drawn to bound forms, dramatic and postured lighting, the glint of drool, dried blood & sprinkled piss, the vulnerability of tender moments, and the unapologetic force of erotic nudity. Raw fucking, fisting, bodies split or ripped open, strung up and exposed—

This is where the body of my work comes alive.

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